Welcome To The Living Archive
Before you begin exploring the archives, performances, and installations below, there is one thing you should know: my work is never meant to be passive. To me, art is a celebration of absolute participation, a living, breathing space where you step out of the role of spectator and become an active co-creator of the narrative.
I have used my practice to dissect the invisible systems that condition our lives. Guided by rigorous research across social, political, and spiritual contexts, my work is designed to challenge boundaries and spark deep, raw conversations.
As you engage with these collections, you are stepping into a vivid universe where colors communicate and forms converse. You aren't just viewing my story, you are stepping into a mirror that invites you to reflect, reclaim your agency, and shape your own immersive experience.
Mapping an Œuvre
Undoing The Rules We Were Taught To Live By
Dictate & Limit The Human Body
This is where my journey of rebirth and transformation truly began. Drawing directly from my personal experiences in the modeling industry, I wanted to investigate how socio-cultural contexts dictate, limit, and define our physical bodies.
It often feels like we are conditioned with Pavlovian responses to gender roles and societal standards, accepting them as unbending Natural Laws.
Through participatory performances, I turn the gallery space into an active game where you step out of the spectator role to become a co-creator.
Together, the artwork becomes a mirror, inviting us to shed these external limitations, step into unconditional love, and reclaim our power as the sole authors of our own realities.
How to Become a Terrorist
Dissecting Invisible Walls, Borders, And The Illusion Of Safety
Terrorism & Martyrdom
I know the title sounds provocative, but this collection is a deep, urgent exploration of how we regulate our behavior when we feel we are under constant, invisible surveillance.
Inspired by Michel Foucault’s concept of the Panopticon, I wanted to look at how societal power structures shape our daily discourse and demand conformity. Using photography, video performances, and extensive archival research, I dissect how personal freedom clashes with political systems.
Drawing on Jean-Jacques Rousseau's social contract, I question the fairness of borders, global movement, and national identity.
In a world that claims to champion free speech, why do we harbor so much fear toward the thoughts and actions of 'the other'? Let’s look past the political agendas together and question what lies underneath.
How Power Structures Engineer Public Consent
Cross-contaminating ephemeral installations, photography, and social interventions, Art of Propaganda traces the continuous tension between institutional control and the individual body. The collection opens by dissecting historical persuasion and modern surveillance, questioning how power structures engineer public consent, before subverting institutional gatekeeping through direct doorstep micro-investments.
Expanding outward to geopolitical borderlines, the work captures post-referendum anxieties and stages flag-burnings in legal gray zones to assert personal existence over state jurisdiction. Ultimately grounding itself in nomadic survival, the collection transforms months of European transit into tactile archives of discarded ephemera and serpentine spatial labyrinths, inviting you to walk through the physical friction of displacement, language barriers, and internal grounding.
Censured Intervention Archive
Interrogating Systemic Compliance, State Apparatus, And Tactical Autonomy
Interrogates State Systems Construct, Enforce & Censor The Human Body
Operating directly at the intersection of artistic autonomy and legal sanction, the Censured Intervention Archive interrogates how state systems construct, enforce, and censor the human body. From spoken testimonies of academic exile to subverting mandatory female military enlistment, the collection turns bureaucratic control, such as municipal logbooks and automatic weapon permits, into both medium and site of conflict.
Through rapid linguistic loops, analyses of Foucault’s disciplined bodies, and choreographed walkthroughs of restricted armories and monastic crime scenes, the work maps the machinery of panopticism. The trajectory culminates in the physical and legal remnants of a real-time police investigation triggered during a diploma showcase, leaving behind an active blueprint for reclaiming civic presence and subverting institutional fear.
Residue of Living
The Silent Landscape Of Unrooting And Finding The Way Back To Yourself
The One Thing You Cannot Run From Is Yourself
This collection is deeply personal to me. It maps the raw, internal geography of displacement, isolation, and what it physically and emotionally feels like to be an unrooted individual trying to integrate into a new reality.
This search turned radically inward during the lockdowns. I realized that when all the external societal noise is stripped away, the one thing you absolutely cannot run from is yourself.
Through crystalline photographic textures, site-specific murals, and structured sculptures, these works capture the exact moment we learn the difficult art of surrendering control to navigate life's unexpected crossroads.
Kinetic Transmutations
Reactivating Physical Paint Into Fluid, Breathing Digital Loops
Translating Vibrant Translucid Forms In Pulsating Video
Have you ever wondered what happens to a painting after it leaves the studio and enters a private collection?
I created Kinetic Transmutations to liberate static canvas paintings, transforming them into living, fluid, psychedelic video works.
By adding motion, rhythmic pulsing, and subconscious distortions to abstract brushstrokes, I map the hallucinatory qualities of our internal processing.
These transitioning loops capture how the actions and energies of others reverberate within our emotional architecture.
They are visual invitations to slow down, meditate, and observe your own emotional landscapes as the colors speak and move on screen.
Grounded In Carl Jung’s Psychological Theories
With La et DIEU, I wanted to look up and question the ultimate form of conditioning: what we believe.
We rarely stop to interrogate where our beliefs come from, yet who created a belief, and why, is often far more revealing than the outcome it produces.
Combining performance, textiles, and historical archives, I bridge ancient storytelling with a pixelated, analogue aesthetic.
From contrasting Edenic myths with industrial labor to laser-cutting the declaration "I Come As One But Stand As Ten Thousand" onto reflecting gold mirrors, this collection is about our shared lineage, our spiritual transits, and the beautiful, invisible threads that interconnect us all.