Hi, I am Wendy NOUSE, I love working with social themes within my art. For me creating is thinking and thinking is creating. It’s how I observe the world and digest daily life. I research actualities in philosophy and science. I use painting, drawing, performance, film and photography to create visuals of my ideas. My…
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I developed several rocky stones that I formed by dropping them rhythmically, until the moment I felt they were formed enough. Then I covered them with icing. During a video recording I smashed them.
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In the abandoned Eiffel building of the Sphinx factory, I found a beautiful room with baths. I photographed this space in its original state
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It has been some time that CO2 emissions and the capitalist economy have provided a current claim in the politics and daily occupation of society. In fact, today the air as a carrier has become our enemy.
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In the video you can see several mouths playing with a bubblegum that come up at the moment of blowing and disappear after the blow.
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Upon entering, the visitor will be asked to participate in a collective work of art. If they agree, they will fill in a form that the participant keeps chewing the gum until it becomes too hard. Which is an indication that the artwork is ready.
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I decided to dance to the rhythm of the fleeting bubble bell that bursts. As a routine between chewing, creating, fleeting and destruction. At the time, it felt that this performance worked as a reinforcement of Pol Bury’s work already present in the museum.
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By being trapped in our homes for months and limited in our freedom of movement, we have been confronted with issues of satisfaction and necessity for our existence. This resulted in extreme self-reflection and awareness
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By being trapped in our homes for months and limited in our freedom of movement, we have been confronted with issues of satisfaction and necessity for our existence. This resulted in extreme self-reflection and awareness,
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By being trapped in our homes for months and limited in our freedom of movement, we have been confronted with issues of satisfaction and necessity for our existence. This resulted in extreme self-reflection and awareness,
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By being trapped in our homes for months and limited in our freedom of movement, we have been confronted with issues of satisfaction and necessity for our existence. This resulted in extreme self-reflection and awareness,
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By being trapped in our homes for months and limited in our freedom of movement, we have been confronted with issues of satisfaction and necessity for our existence. This resulted in extreme self-reflection and awareness, that freedom of movement is special and we feel forced to respond to it.
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Art Performance by Wendy Nouse To explain you the progress of my growth I will take an art performance example. So what is an art performance and how do you create it
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Installation, sound, light and smell.Sound 1’39 minutes, Room 3 – Maria.Exhibited DU2017 – Henri jonaslaan 57. Installation, printed matter, sculptures, drawings,photography, research, blindes, and flashlights.Room 4 – Left this page intentionally blank. Exhibited DU2017 – Henri Jonaslaan 57 The first room titled Maria – Presented an installation, that resembled a cocoon-inspired on the windows of the…
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In response to previous propositions, I have situated acted on the given situation and not only visualize my work in form of a research but create a response to it, by creating a participant art piece and asking the visitors; What can you do to make the world a more beautiful place!
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In these pictures, I present you my research of what it is to be, to become and define a terrorist. A multimedia presentation of, news articles, researches, essays and images, sculptures. This research was based on official documents, mixed with visuals of my own creation.
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REQUEST FOR ASYLUM V.1.2 a proposal letter for collaboration between countries to solve mass migration issue, combining the cultural en environmental crises
Read More![terrain vague les brasseurs paria[h]](https://wendynouse.files.wordpress.com/2017/06/dsc8709a.jpg?w=690)
In collaboration with Gladys Zeevaarders, during a workshop in Liege.We collected the ceramique from abondonned locations and created a new landscape. During the opening we deconstructed the work by moving it from the basement to the window space. The work is supported by a soundpiece. Wood, ceramique, plastic, metal and rope.Sound 90 sec & performance…
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Printed letter: 5m x 1mPostcard: 20cm x 10,5cmMade in 2016 Exhibited:‘Angst’ – Action Hybride – La Chapele Paris 2018‘Relational Aesthetics of some perfect strangers’ – ENSBA Paris 2016Published: ‘Catalogus EINREAL‘ – Germany 2016
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After the attack in Brussels in 2016 I created this work to set my mind. Installation from Plastic, wood, foam, fabric, lacquer.Made in 2016 Installation at l’école national des beaux-arts. I really felt touched by this event since my family, friends, colleagues and many of the locals use this airport as a base for their travels.…
Read More![Terrain Vague - Les Brasseurs Liège - Paria[h]](https://wendynouse.files.wordpress.com/2021/04/14c73-1_dsc8620a.jpg?w=500)
Terrain Vague is created in collaboration with Gladys Zeevaarders, during a workshop at Les Brasseurs in Liège, Belgium in 2017.
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Nous Demandons European Parliament – Performance started on a train. Being stuck in Brussels on I decided to listen to the conversations around me.
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