Chaque jour, enfants, femmes et hommes de tout âge sont dévalorisés dans la rue, dans les lieux publics ou même chez eux. En 2017, près de 1650 actes violents étaient recensés chaque jour en France. Savez-vous que la plus grande partie des actes violents ne sont jamais punis, ni même déclarés ? Vous êtes victime…
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I am opening up my shop on Society 6, you can simply go on the website and check out studio wendy nouse to find all the designs possible. From now on Wendy Nouse is my art profile and all my side activities are named as studio wendy nouse. So positive art print art is no…
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FRBonjour, c’est Wendy J’aime travailler avec des clients innovants, responsables et créatifs ! J’aime définir mon style comme simple mais efficace, tourné vers la modernité mais toujours intemporel ! N’hésitez pas à m’envoyer un brief pour un devis :studio@wendynouse.com Mes domaines de spécialité :✔ Logo / branding / identité visuelle✔ Print & web✔ illustration ENHello,…
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As a school assignment in 2013, I made an installation filling up and making visual the empty space. In order to make it visible I blow up plastic bags to give textile into the space, and I reused it for a fake advertisement campaign for IKEA.
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In the south of the Netherlands we have this event which is called Carnaval. The owner asked me to make a window painting for a Strip club (Which is a comic book club in Dutch).
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Paintings on paper and acrylic 2014/2015
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An painting installation made out of plastic, paper, clay and plaster. Atelier setting.
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Hi guys, Just a small free bee because I loved making it, with all my zodiac collection drawings.
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Hi, I am Wendy NOUSE, I love working with social themes within my art. For me creating is thinking and thinking is creating. It’s how I observe the world and digest daily life. I research actualities in philosophy and science. I use painting, drawing, performance, film and photography to create visuals of my ideas. My…
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In collaboration with the shop PUUR, my friend Danja Zurek and I exposed our works for 2 months.
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I didn’t want to go and clean the region by taking a trash bag. Simply because two days people will return and dump new stuff. I wanted to confront the community. By showing them that you can reuse, recollect and remake something new with it.
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on identity issues mainly inspired by the idea of Alice in Wonderland, in which she is always, too big and too small, never doing well and mostly arguing with herself for truths. to distinguish. Something that Deleuze talks about a lot in his essays.
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In the abandoned Eiffel building of the Sphinx factory, because the space has been repurposed, I made documentation photos in the last weeks before the building was to be renovated and re-designated.
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In the abandoned Eiffel building of the Sphinx factory, I found a beautiful room with baths. I photographed this space in its original state
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auto-da-fé, which mainly speaks about the Spanish Inquisition. But for me as a symbol of all these stories, translated from Portuguese, came to be an action of faith.
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It has been some time that CO2 emissions and the capitalist economy have provided a current claim in the politics and daily occupation of society. In fact, today the air as a carrier has become our enemy.
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In the video you can see several mouths playing with a bubblegum that come up at the moment of blowing and disappear after the blow.
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Fireproof PUR is the basic material for this series of photos. The work was based on the idea that if the bubblegum moved of its own motion what shapes it would create.
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For this series of photos I chose to increase the sensual effect of the mouth and the chewing gum with the composition and the color. I also worked with the male mouth for the first time in this project.
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Upon entering, the visitor will be asked to participate in a collective work of art. If they agree, they will fill in a form that the participant keeps chewing the gum until it becomes too hard. Which is an indication that the artwork is ready.
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I decided to dance to the rhythm of the fleeting bubble bell that bursts. As a routine between chewing, creating, fleeting and destruction. At the time, it felt that this performance worked as a reinforcement of Pol Bury’s work already present in the museum.
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Studio Wendy Nouse 